"Throughout the history of the United States, a commitment to both democratic political ideals and to capitalist realities has made privacy a persistently controversial issue. Only rarely, however, has privacy attracted the attention of American literary criticism. In his new study, Louis A.
Renza extends the idea of privacy beyond the received wisdom of its popular legal and psychological conceptions and, iconoclastically, beyond its conception in postmodern literary theory to show that the public-private paradigm has import for American literary texts past and present."--BOOK JACKET.