Irish Thoroughbred (Silhouette Romance, #81)

by Nora Roberts

Possession

by A. S. Byatt

The book was thick and black and covered with dust.

Medieval song in Romance languages

by John Dickinson Haines, John Haines

Romance Languages Annual, 1997

by Jeanette Beer

A bibliographical guide to the Romance languages and literat...

by Thomas Rossman Palfrey

The Moonstone

by Wilkie Collins

In the first part of ROBINSON CRUSOE, at page one hundred and twenty-nine, you will find it thus written: "Now I saw, th...

The Rhaeto-Romance languages

by John Haiman

The loom of language

by Frederick Bodmer

What language we habitually speak depends upon a geographical accident. It has nothing to do with the composition of the...

Ivanhoe

by Sir Walter Scott

IN that pleasant district of merry England which is watered by the river Don, there extended in ancient times a large fo...

Inflected Infinitive in Romance Languages

by Emily E. Scida

Temptation

by Nora Roberts

Eileen Chang

by Kam Louie

Pygmalion

by George Bernard Shaw

THE DAUGHTER [in the space between the central pillars, Close to the one on her left] I'm getting chiIIed to the bone.

Configurations of sentential complementation

by Johan Rooryck

Romance linguistics and the romance languages

by Kathryn F. Bach

Romance Languages Annual

Grammatical Categories

by M. Rita Manzini, Leonardo M. Savoia

Romance, language, and education in Jane Austen's novels

by Laura Mooneyham White

Manual of Deixis in Romance Languages

by Konstanze Jungbluth, Federica Milano

Romance Objects

by Giuliana Fiorentino

What is an object?