Horror Films

by Rhoda Nottridge

On film-making

by Alexander Mackendrick

Speech involves the rationalising of our feelings and impulses, something film directors of the silent era discovered th...

Fight Club

by Chuck Palahniuk

TYLER GETS ME a job as a waiter, after that Tyler's pushing a gun in my mouth and saying, the first step to eternal life...

Film as film

by V. F. Perkins

Hair Love

by Matthew A. Cherry, Matthew Cherry

The technique of film editing

by Karel Reisz, Gavin Millar

"ONCE more I repeat, that editing is the creative force of filmic reality, and that nature provides only the raw materia...

Coraline

by Neil Gaiman

CORALINE DISCOVERED THE DOOR a little while after they moved into the house.

Film scriptwriting

by Dwight V. Swain

One of the nicest things about film scriptwriting is that it offers not just a living, but a way of life which allows yo...

The Film Mystery

by Arthur B. Reeve

Kennedy and I had been hastily summoned from his laboratory in the city by District-Attorney Mackay, and now stood in th...

Dictionary of film terms

by Frank Eugene Beaver

Novels into film

by George Bluestone

Light and Film (Library of Photography)

by Time-Life Books

Night film

by Marisha Pessl

Cold Mountain

by Charles Frazier

At the first gesture of morning, flies began stirring.

My neighbor Totoro

by Hayao Miyazaki

Visionary film

by P. Adams Sitney

THE COLLABORATION OF Maya Deren and Alexander Hammid shortly after their marriage in 1942 recalls in its broad outline a...

Music composition for film and television

by Lalo Schifrin

The Horror Film

by Rick Worland

Seta

by Alessandro Baricco

On film editing

by Edward Dmytryk