Music, performance and African identities

by Toyin Falola, Tyler Fleming

Musical form and musical performance

by Edward T. Cone

Musical Topics and Musical Performance

by Julian Hellaby

Musical Performance

by John Rink

Ay most classical concerts today we expect the audience to remain silent in rapt attention, but this is a quite recent s...

Musical performance

by Stan Godlovitch

Music, Performance, Meaning

by Nicholas Cook

Teaching and Evaluating Music Performance at University

by John Encarnacao, Diana Blom

Confident music performance

by Barbara Schneiderman

Musical performance

by John Rink

Favourite musical performers

by Sydney Grew

Performing Brahms

by Michael Musgrave, Bernard D. Sherman

Daniel Leech-Wilkinson divides medievalists into two categories: those who 'recognize features of the medieval world in ...

Investigating Musical Performance

by Gianmario Borio, Giovanni Giuriati

CONFIDENT MUSIC PERFORMANCE (SCHNEIDERMAN, B.)

Advanced Musical Performance

by Ioulia Papageorgi, Graham Welch

The new guitarscape in critical theory, cultural practice an...

by Kevin Dawe

Anxiety and musical performance

by Dale Reubart

Musical Performance

by Daniel L. Kohut

The Natural Learning Process (hereafter referred to as NLP) is the same process we used in first learning how to walk an...

The psychology of music performance anxiety

by Dianna T. Kenny

Disability and Music Performance

by Alejandro Alberto Téllez Vargas

Performing baroque music

by Mary Cyr

Musical notation by its very nature is inexact.